これは雲ではない This is Not a Cloud

これは雲ではない This is Not a Cloud
母親の親戚で入市被爆した長曽我部 久さんが自作の版画を使い友だちに作ってもらった反核No Nukesがテーマの作品です．

霧雨の夜

不思議な画が撮れた！

20160501..元安橋...motoyasubasi bridge...原爆ドーム..A-dome........................

花見の季節

the Screening vol.1 presented by GMM @ Jamming Bar 2015.12.18（金）

the Screening vol.1

presented by GMM

@ Jamming Bar
2015.12.18（金）open 19:00

open 19:00
main program 花まつり

19:00  Aquilha's 最近作
20:00 花まつり1975 (海賊版 60分) スタート
21:30から 映像と弾き語りのセッション part 1. moletone +Aquilha part 2. 久保モリソン + Aquilha

その前後に私の作品の上映を予定しています…

今回初めての試みなので入場料はありません…＼(^o^)／

Jamming bar
広島市中区薬研堀、森田ビル３Ｆ
082 246 7068

16mm映画　花祭り1975 とは？

（1975年04月20日　御殿場・日本山妙法寺）「ミルキーウェイ・キャラバン75・花まつりコンサート」演奏­：アケト、ジョン、タシ、アシッド・セブン・ファミリー・バンド、久保田麻琴と夕焼け楽団、CCCマントラバンド、ジュゴン、裸のラリーズ、南正人グループほか。

この日の模様は「花まつり」（藤枝静樹監督、16ミリ、約75分　1975）という記録映画に。以下は監督の 藤枝静樹氏談。

1. 約60分の上映時間のうち、ラリーズの演奏場面（「The Last One」）は2、3分。

2. 照明なしで、ステージのストロボだけで撮影しているため、姿はストロボが光った時にち­らちらと見えるだけ。

「裸のラリーズと言えば1曲30分以上で延々と続く演奏がすごいが、ここでの収録はご­く短い。ラリーズだけを期待すると、飽きてしまうかも」との話。

この映画はプリントが3本あるが、

（１）1本は会場の日本山妙法寺にある仏舎利塔の中（「入れっぱなしのため、とっくに­色などが飛んでおり、見れないだろう」）

（２）もう1本はオランダに渡った

（３）残りの1本は藤枝監督自身が持っている

藤枝監督所有分は、日本のコミューン周辺などの要請で数年に1度上映してきたという。

今のところ次の上映予定は決まっていないが、そのうち何らかの形で上映するようだ。

具体的にこのフィルムが現在どこにあるのか藤枝監督自身はっきりしないが、「おそらく­自宅のどこかにあるのでは」とのこと。

ビデオ化の予定は今のところない。

庄子勝治＋Aquilha live @ Quattro hiroshima

庄子勝治＋Aquilha @ club Quattoro Hiroshima on 2015.08.16 by Aquilha on Mixcloud

"和gathering2001"

"和gathering2001"

2001年のクリスマス頃だったと思う．

和gatheringというまつりが広島でありました．

ニューヨークでのテロがきっかけで始まったんだと思います．

レイブパーティの関係者，DJ，などが声を掛け合って始まったんだと記憶しています．

詳しい事は覚えてません．

3時間もあるので分けてみて下さい．

庄子 勝治+一楽 儀光 = doravideo=laser guitar @ Kakashi 案山子

庄子 勝治+一楽 儀光 = doravideo=laser guitar @ Kakashi 案山子

Miles Davis "Summertime" (1958)

"Summertime" is a track from the album "Porgy and Bess" by jazz trumpet musician Miles Davis, released in 1958 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's opera Porgy and Bess. The album was recorded in four sessions on July 22, July 29, August 4 and August 18 in 1958 at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. For many jazz critics, Porgy and Bess is regarded as historic.

In 1958, Davis was one of many jazz musicians growing dissatisfied with bebop, seeing its increasingly complex chord changes as hindering creativity. Five years earlier, in 1953, pianist George Russell published his Lydian Chromatic Concept of Tonal Organization, which offered an alternative to the practice of improvisation based on chords. Abandoning the traditional major and minor key relationships of Western music, Russell developed a new formulation using scales or a series of scales for improvisations. Russell's approach to improvisation came to be known as modal in jazz. Davis saw Russell's methods of composition as a means of getting away from the dense chord-laden compositions of his time, which Davis had labeled "thick". Modal composition, with its reliance on scales and modes, represented, as Davis put it, "A return to melody". In a 1958 interview with Nat Hentoff of The Jazz Review, Davis remarked on the modal approach:

When Gil wrote the arrangement of "I Loves You, Porgy," he only wrote a scale for me. No chords... gives you a lot more freedom and space to hear things... there will be fewer chords but infinite possibilities as to what to do with them. Classical composers have been writing this way for years, but jazz musicians seldom have.

—Miles Davis

In early 1958, Miles Davis began using with this approach and his sextet. Influenced by Russell's ideas, Davis implemented his first modal composition with the title track of his 1958 album Milestones, which was based on two modes, recorded in April of that year. Instead of soloing in the straight, conventional, melodic way, Daviss new style of improvisation featured rapid mode and scale changes played against sparse chord changes. Davis' second collaboration with Gil Evans on Porgy and Bess gave him more room for experimentation with Russell's concept and with third stream playing, as Evans' compositions for Davis featured this modal approach.

Musicians
Miles Davis - trumpet, flugelhorn 
Ernie Royal, Bernie Glow, Johnny Coles and Louis Mucci - trumpet
Dick Hixon, Frank Rehak, Jimmy Cleveland and Joe Bennett - trombone 
Willie Ruff, Julius Watkins and Gunther Schuller - horn 
Bill Barber - tuba 
Phil Bodner, Jerome Richardson and Romeo Penque - flute, alto flute & clarinet 
Cannonball Adderley - alto saxophone 
Danny Bank - alto flute & bass clarinet 
Paul Chambers - bass 
Jimmy Cobb - drums (except tracks 3,4, 9, & 15) 
Philly Joe Jones - drums (tracks 3,4, 9, & 15) 
Gil Evans - arranger & conductor

from rovingeye2

Albert Ayler - Summertime (4/6)

Timothy Leary's FLASHBACKS

A short documentary film by Jeff Scheftel and Oliver Entertainment about the life and times of Dr. Timothy Leary. Made with Timothy in 1989 as a promotional tool to sell a feature film written by Jeff Scheftel and Tom Huckabee about Timothy's life based on his bestselling autobiography, "Flashbacks."

from scheftel

Les Rallizes Denudes official video released on 1992

compleat over 140 min.

Fly Jefferson Airplane Documentary

more than 80min. but it's nice to know jefferson airplane.

花祭り1975 final cut

ω - ΣΩ���� @ TAO, Hiroshima on 23 May 2013

羽野昌二さんの連れてきたギリシャ人ピアニストとギタリスト＋庄子勝治(サックス)の即興演奏の記録．＠タオ、広島

ω - Σ𝛺Ϻ𝚨 @ TAO ,Hiroshima

Hano Shoji (drums)

Antonis Anissegos (piano)

Thymios Atzakas (el.guitar)

guest : Shoji Masaharu (sax)

Video works : Aquilha Mochiduki

☮ 2013 All rights  reserved.

Hyper Groove Trio second set

31 May 2013 at Oriental_Hotel Hiroshima.

[Hyper Groove Torio]の演奏会があった．

豊住 芳三郎 Yoshisaburo_SABU_Toyozumi_(drums/percussion)
John Russell (acoustic guitar)
原田雅嗣 Masashi_Harada_(piano/voice/dance)

ゴロゴロ祭 2013 2&3 123min

公開日: 2013/05/27

Recorded on 13/05/25,26

朴保 00:00 〜 49:00
美音異星人 50:00 〜 1:02:00
ランブラーズ 1:02:30 〜 01:24:00
青ちゃんの"あっちへふらふら"やってる
ライブペインティんぐ
瀬戸田の八朔は美味しかった！
tarotのバティック、
しろうさんの五右衛門風呂、01:21:25
gallery magic moon 穀神社 01:22:00
jah love is sweeter
山本しん：ビデオなし？
風太郎：01:25:00 〜 02:03:25
真っ赤なflyingVを持って登場． - Captured Live on Ustream athttp://www.ustream.tv/channel/%E3%82%...

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Like a Rolling Stone - Jimi Hendrix & B.B King Version

dantean 4 か月前

Okay, the very idea of B.B. King performing a Bob Dylan tune is mind-blowing enough, but jamming it with Jimi!?!? OH, MY FUCKING GOD!!! I'm not sure how better to describe this than to say it's like the Father joining in with the Son on a number written by the Holy Ghost--AND I'M AGNOSTIC!!!!

(btw, thanks for posting!)